Seconds after stepping behind the backstage curtain of Monday’s Dior Haute Couture Spring 2018 show, it became clear that the make-up look, orchestrated by Peter Philips, Creative and Image Director of Dior Make-up, was not merely a complement to the collection; it was an integral part of its narrative. This wasn’t about heavy contouring or dramatic smoky eyes. Instead, Philips crafted a vision of effortless beauty, a radiant freshness that perfectly mirrored the ethereal lightness of Maria Grazia Chiuri’s collection. The overall effect was one of understated elegance, a celebration of natural beauty enhanced rather than masked. This approach, while seemingly simple, represented a significant departure from some of the bolder trends dominating the beauty landscape at the time, and it ultimately became a defining characteristic of Dior's Spring 2018 aesthetic.
The foundation of this look was a flawlessly prepped complexion. Skin was meticulously prepared, emphasizing a healthy, luminous glow. This wasn't achieved through heavy foundation application but rather through careful skincare and the strategic use of lightweight, hydrating products. The emphasis was on creating a canvas that was even in tone and texture, allowing the natural beauty of the skin to shine through. This focus on skincare as a crucial element of the make-up process reflects a broader shift in the beauty industry towards a more holistic approach to beauty, prioritizing skin health over heavy coverage.
The foundation chosen was likely a lightweight formula, possibly one from Dior's own extensive range, designed to provide sheer coverage while allowing the skin’s natural texture to show. This emphasis on a natural base allowed the other elements of the make-up to truly stand out, creating a harmonious and balanced overall effect. The use of primers, likely those designed to hydrate and smooth the skin, would have also played a crucial role in achieving this flawless base.
Eyeshadow application was minimal, prioritizing a neutral palette that accentuated the natural eye shape without overwhelming it. Subtle shades of beige, taupe, and perhaps a touch of soft rose gold, would have been applied to the eyelids, creating a wash of color that subtly enhanced the eyes without detracting from the overall natural look. The focus was less on dramatic definition and more on enhancing the inherent beauty of the eyes. This could have involved a subtle blending technique, using lighter shades in the inner corners of the eyes and slightly darker shades towards the outer corners to create a subtle definition. Eyebrows were likely groomed to perfection, maintaining their natural shape and emphasizing their framing effect on the face. The overall effect was one of understated elegance, a look that was both sophisticated and effortlessly chic.
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